grace

blue elephant in the station

accomodation 2

dream

genetically modified

early morning on foggy hill

people in Barcelona (2)

seascape

urban dissolution

ruined castle near Barcelona

people in Barcelona

psychotropes get an empty mind

"We'd all love to stop eating the poisonous parts of our wildness !"

primordial

Active nihilism has so expanded and heightened our hermeneutic potential that our point of view, once valid in its singularity, has been broken up into an infinite diversity of perspectives. The unexpected constellations of these perspectives, their chance interplay which gives rise to temporary ideas and images, require a new art of perception. Traditional intuition and orientative concepts prove ineffective as soon as they become caught in the whirlpool of an open system whose powerful maelstrom engulfs prevailing perceptions. "Once we have words for something, we have gone beyond it;" reads a maxim from the Twilight of the Idols, descriptive and self-assured. This having "gone beyond" sets the keynote of an artificial perception.

a pair of Gullivers

My art is not meant merely to “touch” the viewer, but to pull him/her in unexpectedly, to immerse, and overwhelm him/her—like quicksand.

prayer

old monk in monastery into a impressive prayer...he touch the church wall with hand right on a light spot, like a direct connection with God

a gentle meeting of fog, wind and sun

love is in the air

early morning on the sea

As a dark forest come to life/Made only to cause him strife

Dark is the forest and deep, and overheadHang stars like seeds of lightIn vain, though not since they were sown was bredAnything more bright.

spanish bride

in the Gaudi's church from Colònia Güell ...

Gaudí carried out various preliminary studies which resulted in a model of the church that was placed in a pavilion located on the same hill where the church would be built.Finally, in 1908, building work began. However, the ambitious project, which foresaw two naves - an upper and a lower – to be completed with various lateral turrets and a central dome 40 metres high, remained unfinished.
In 1914, the Güell family informed Gaudí that it would no longer fund the works in progress and Gaudí abandoned the project.In November of the following year, the bishop of Barcelona blessed the lower nave – the only one that was built – which led to the church being commonly known as the crypt. Between 1915 and 1917, a new builder enclosed the upper nave with brick walls and a roof of uralite tiles.

Into that ominous tract which, all agree,Hides the Dark Tower

And there are buds that cannot bloom at allIn light, but crumple, piteous, and fall;So in the dark we hide the heart that bleeds,And wait, and tend our agonizing seeds.

thought kept under the hand pressure

Internally our clock beats to a rhythm of its own inherent measure With life's dismay we glorify fleeting time containing displeasure.Rhythmic patterns ever so elusive are compromising this treasure An insight with hastened efforts of our achievement give leisure.